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Nanotechnology is a field of incredible potential. It is surprising that a field such as nanotechnology, which has revolutionized all aspects of our life, from food to our clothes to medicines, is known so little. It was fascinating to see the mere number of subfields that have been created under the umbrella of nanotechnology, such as nanomedicine, nanoelectronics and nanophotonics. One of the most surprising examples of use of nanotechnology by the Romans in the Lycurgus Cup. The cup will appear green when lit from front, but if it were lit from the back it would change color to red. This change in color happens due to presence of gold and silver particles that are 50 nanometers in diameter. The fact that romans were able to do this 1600 years ago is absolutely amazing. Furthermore, nanotechnology is also present in nature. The wings of the Blue morpho butterfly seem to have a blue iridescent color but are in fact transparent. Their wings consist of many nano-scale structure

The intersection of art and neuroscience is a very interesting area. Historically, art was needed to study neuroscience. In the 19 th century, microscopy was not very advances, which meant that studying neurons was very difficult. Thus, scientists turned to artists to provide this information so that they could study neurons in more detail. Santiago Ramón y Cajal, the father of modern neuroscience, who was both an artist and a scientist, drew very detailed drawings of neurons and helped this field grow. This was followed by the use of neuroscience to create art. One cool example mentioned in the lecture was Brainbow. Brainbow involved using fluorescent proteins of different colors to light up neurons in order to be able to distinguish individual neurons. Also now, neuroscience is being used to study art. This falls under the field of neuroaesthetics , which specifically explores how and why people appreciate art, music and the very concept of beauty. Semir Zeki and Vilayanu

Last week I had the opportunity to attend an exhibition by Elí Joteva titled “Mnemowari”. This is the first art display I have seen and I am quite fascinated by the experience. This exhibition was an interesting play on time, as the displays portrayed the future, present and the past. "Dream-wave" portrait Mnemowari - brief overview The exhibition was divided into four compartments, with the first compartment being a projection of a “dream-wave portrait” on the wall, and represented future. At first, I was quite confused by this. It was very beautiful but I had no context for this display. After seeing the other compartments, I felt that this display was in a way standalone and a bit disjointed. It could be because we know the past and present, but the future is abstract and has infinite possibilities. The second compartment represented the present, and consisted of cryo scultures, which were three balls of ice hanging from the ceiling using rope. Each sc

Biotechnology, according to the Convention on Biological Diversity, is any technological application that uses living organisms to modify products or processes for specific use. The use of biotechnology in art seems almost inevitable, given how easily technology and robotics have been used in art. More specifically use of genomes in art has been particularly of interest.   George Gessert’s work is a great example of bioart. Gessert created genetic hybrids of irises by hybridizing wild varieties and removing undesirable results. This created unique synthetic breeds of irises that had immense aesthetic beauty. However, this has been a very controversial area. Genetic engineering has raised many ethical dilemmas and discussions, which were only furthered by using it in art. The most important ethical question facing bioart, is whether life itself is a valid expressive medium. Bioartists seem to constantly face this question, especially when they use animals in their artwork. Eduardo